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Dirty Air and Satisfaction Guaranteed have strong hooks. Some of the results feel either commonplace or, worse, flimsy and annoying – perhaps unwittingly, Satellite sounds like mid-80s Europop, and thus proves something of an endurance test if you don’t have a lasting love for the oeuvre of Modern Talking and FR David – but there are tunes here that suit the makeover. This isn’t, in itself, a bad idea, and not merely because it feels more modish than their initial musical approach. On the Jacknife Lee-produced False Alarm they take over almost entirely, leaving their music somewhere in the general vicinity of the 1975 at their least arty and most radio-friendly. Tourist History dealt in then-hip angular post-punk with commercial ambitions, but their ensuing two albums amped up the electronics. That said, a sense that fashion has moved on does infect the fourth album by Two Door Cinema Club, the anonymous Northern Irish trio whose sales peak ostensibly came with their 2010 debut Tourist History, but whose forthcoming tour nevertheless takes in – you guessed it – the O2 Arena.
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You could read this as revealing a lot about how what’s deemed fashionable doesn’t always reflect what’s actually popular. Whatever next? The Spice Girls’ record for consecutive London arena sell-outs quietly broken by Scouting for Girls? A stampede for tickets caused by the re-formation of Joe Lean & the Jing Jang Jong? The Courteeners keep packing stadiums in the north of England. Earlier this year, the Wombats headlined Wembley Arena. The current tour by White Lies winds up with not one, but two dates at Brixton Academy. The answer seems to be: touring venues rather larger than you might expect. Given the climate, you might reasonably ask, whither the lower-division strivers of yesteryear, their moment in the sun a decade hence? Over on the Radio 1 playlist, the Amazons offer a solitary, exception-that-proves-the-rule hold-out, swamped by hip-hop, grime and pop. These are, after all, widely held to be thin times indeed for the kind of mainstream alt-rock that was once the NME’s lifeblood: the one thing noticeable by its absence on the main stage at this year’s Glastonbury is a hot young guitar band, catapulted to fame on a firework trajectory by overheated media attention, including at least one front cover that excitedly claims “THIS BAND WILL CHANGE YOUR LIFE”.
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